Crown Audio by Harman

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Articles
 
document Bluegrass band (2 questions and replies)
I am playing in a bluegrass band (guitar, banjo, mandolin or fiddle and bass) and we are struggling with getting a better sound. I am considering a...
document Please explain the single-mic technique of sound reinforcement (5 questions and replies)
What are the preferred mics for the single-mic technique of sound reinforcement? I have seen two mics used about five feet apart center stage at...
document Upright bass (double bass, acoustic bass)
What are some effective ways to mike an upright bass (standup bass, double bass, bass viol, doghouse bass, acoustic bass)? Suggestions for...
document Miking a classical music ensemble
I am interested in purchasing some of your microphones for recording the following: Pipe organ, orchestra, choir, grand piano, singer. I'd be...
document Accordion
What is the best mic system for a small accordion? GLM type? Wired or wireless? Ideally I'd use one mic for accordion and one mic for vocal into a...
document Phasey sound with singer/guitarist
I'm recording a singing guitarist into my computer. I have a CM-200A on the vocal and a CM-700 on the guitar. The singer's voice sounds okay when I...
document Miking flute recitals with flat floor mics
I have a Tascam digital portastudio with 3-pin connectors. I am a professional classical musician and give flute and piccolo recitals with piano,...
document Miking a Leslie speaker with GLMs
I play a Hammond B3 with two 147 Leslies. Can I mount two GLM-100s or two GLM 200s, one in the top and one in the bottom of the Leslie to mic the...
document Fishman system with Crown GLM-200E mic
I have one of the older model Fishman V-200 violin pickups which combined a Crown GLM microphone with the Fishman piezo-ceramic element designed to...